Hand tools, both as implements of work and as symbols of a trade, are deeply entrenched in the physical and psychological construction of our history. Their place in our past is secure; however, their future appears less certain. Will these tools become curiosities of our collective past?

In these carvings of Moran's most widely exhibited series, Utility —as a growing body of sculptures— is a depiction of objects designed for function alone. The reversal of materials, while rendering them functionless, is an exploration of the meaning of those materials and their literal strengths and weaknesses. From carving each head to sand-casting each handle, this series is an homage to hand tools, their construction and function.



6" W x 13" H x 3 1/4" D



The sculpture is turned from a single piece of Walnut, each detail—from grooved, pointed tip to turned and furrowed handle—carefully hand-carved to accentuate both the design of the tool and the attributes of the wood used to recreate it. This tool is fashioned after Michael's own much loved screwdriver of many years.

Each piece is 1:1 rendering of the respective tool. The Phillips Head Screwdriver is mounted to the handmade frame with structural posts, painted out white like the background of the shadow box. The narrow Walnut frame includes a subtle reveal of wood around the inside on the box before it meets crisp, matte white paint. 

The screwdriver available is Edition 2 of 2 and is carved from a different piece of wood than the above photograph of Edition 1 of 2. Please be in touch for current photography. To date, twelve tools have been created by Michael for this series; each will only be carved twice. Please see all dozen pieces below.